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The failing of the detective story lies precisely in its fundamental inability to allow all the truths necessary in the modern world. A detective story cannot be, to borrow a disgustingly political term, "post-truth".
A book written with this phrase in mind would be abhorrent, unreadable, unrecognisable as a detective novel. This book certainly has a lot going for it.
It's a locked-room mystery of the highest order: It has diabolically clever twists that had me yelling "Whaaat?!
It has two very amusing, sharp-witted young leads, whose introductory scene nearly made me laugh out loud, and other funny scenes besides usually This book certainly has a lot going for it.
It has two very amusing, sharp-witted young leads, whose introductory scene nearly made me laugh out loud, and other funny scenes besides usually involving very potent Scotch.
And it's set in Scotland, which is always a bonus with me. I did find it a bit slower to get through than I would have expected, but that may have had something to do with my edition, which was shiny and modern and the size of a hardcover but paperback in format.
It was rather annoying to read from. I also thought the phonetically rendered Scottish dialect was a bit over-the-top in places, and Mr.
Swan the reporter seemed much more like a stereotypical American than the Canadian he claimed to be. But overall I quite enjoyed this story and would recommend it to fans of the Golden Age of detective fiction.
Mar 31, J. I started this book, and didn't realize I'd heard a radio play version of it before, the translation having butchered this wonderful title: But, even though I vaguely pictured the plot from before, I never let a JDC novel pass me by, and I also failed to remember who the murderer was, so no harm done.
In this book, Alan Campbell is called to Scotland to the castle of his distant relatives, one of which has just died from a fall out of his bedroom wind I started this book, and didn't realize I'd heard a radio play version of it before, the translation having butchered this wonderful title: In this book, Alan Campbell is called to Scotland to the castle of his distant relatives, one of which has just died from a fall out of his bedroom window in the highest tower.
There is debate between the family and the insurance companies whether the death is suicide or murder. If the insurance agencies don't pay up, the family is destitute.
This book is ingenious in its plot, it really is, even though I think I would have appreciated it more had it been my first read.
It's most exciting, and has those humorous moments that I love, that lighten the mood. Recommended, and worth a read, especially for Easter. The mystery is clever enough, the romance sweet and predictable, but the very very best part is the description of a wicked hangover in Chapter 9.
I've read it aloud to several people and am thinking of having it framed. Toward the last it moved to a cacophony of hammers and lights.
There is a sweet shop in Keswick, Cumbria called Friars. It is perhaps the best sweet shop in the world. Carr was an adherent to the locked room mystery, which is sometimes a blessing to his plotting, but occasionally a curse.
I thought some elements of this plot were strained, but not to the overall detriment of the book.
It ends with a certain poignancy regarding World War 2 it was published in I was sad to put it down. Many including this one come in beautiful Romek Marber green Penguins from the s, which are far prettier than anything most publishers are coming out with these days.
Get yourself on Abebooks — go on, treat yourself. And just wait until you get onto his historical stuff… chocolate heaven. This has to be best of Carr's novels that maintains the balance between fun and suspense.
The Scottish setting,the funny and ever skirmishing professors,the hag of an aunt, the alcoholic uncle, and the doom of the Campbell's all contribute handsomely to this superbly crafted locked room mystery 2 of them ,that could have been a very serious and gloomy affair but in fact is one of the funniest and entertaining book you will ever come across.
The mystery is baffling and intriguing enough and the s This has to be best of Carr's novels that maintains the balance between fun and suspense.
The mystery is baffling and intriguing enough and the solutions are very nice. Carr has managed to balance everything absolutely perfectly.
If you have a chance to read a Carr and not sure which to pick ,this would be good one. I am not the type of reader who exerts himself too much to break the puzzle, the writer has set.
I am here for the ride and I do not look into the undercarriage. So,for me this was a perfect book,I never lost the interest in the mystery and the story never dragged.
The funny parts were laugh out loud funny and was not overdone at all. I generally find that I like mystery stories, but my list of read authors is unfortunately short.
Most of which is surprise Agatha Christie. I was recommended John Dickson Carr and decided to give this novel a try. Unfortunately, I think the story lacks much suspense.
Even as the mystery goes further along, I never once found myself excited or really curious as to what had happened. Instead, from beginning to end, the story strongly points towards either one of two solutions and one possible suspect.
However, I will give Carr one thing, I love his characterization. In most mystery books, even the ones I really love, it usually takes a while before I become engaged in it.
The Case of the Constant Suicides was not like this. Instead, I was hooked from the beginning. Alan and Kathryn were hilarious as a team, but the other characters were very funny too and I read a great deal of the book with a grin on my face.
I was looking for some light reading and, well, I got just that. The plot itself is interesting enough, and it did keep me guessing as to what really happened for the longest time, but the storytelling is something else.
John Dickson Carr manages to include every stereotype you could think of re: Scotland and the Scottish, and don't get me started on gender here.
This book is a child of its time - at first I was pleased to see a female academic show up as a character, but then she turns out to b I was looking for some light reading and, well, I got just that.
This book is a child of its time - at first I was pleased to see a female academic show up as a character, but then she turns out to be such a flat character, such a stereotype.
As I was reading I had to remind myself that this book was written over sixty years ago and is genre fiction, so a giggly, scaredy-cat, passive female character as romantic interest was to be expected.
I got quite fed up with this as the story unfolded. In conclusion, it's escapist fiction, an amusing, quick read if you're up for that, but that's all you're getting.
I much prefer, say, Agatha Christie's style of storytelling. My first JDC and I was somewhat disappointed. The Scottish setting was quite well-done and the main characters were nicely depicted.
However, if an author is making a point about Scots Law then he should get it absolutely right-Elspat and Angus had an irregular marriage by cohabitation and repute and this was not "the status of a common law wife" but something more.
There is also a misprint in the quotation at location which should read "sat prata biberunt". This review has been hidden because it contains spoilers.
To view it, click here. Streitendes Historikerpärchen wird nach Schottland berufen zu einer Familienkonferenz. Der Ahne ist offensichtlich aus dem Fenster gesprungen, andererseits gibt es diverse Lebensversicherungen, die Selbstmordklauseln enthalten.
Sehr clever und witzig geschrieben, wenn mir auch die schöne Liebesgeschichte zwischen den jungen Leuten zu kurz kommt. Mordwaffe war Trockeneis in einem Hundekoffer.
I've read a limited number of Carr novels because most of them are out of print for some reason. But this was more like a screwball comedy at times than a proper murder mystery.
It had a lot of elements I liked, romantic misunderstandings, silly humour, isolated Scottish castle with eccentric family members, and a locked room murder.
But it felt more like a novella than a fully fleshed out book. I simply love this mystery, which I have probably read times over the last 40 years.
And I will read it yet again. As all classic Carr it is extremely wel-written, extremely funny crazy-comedy style! It is not really whodidit, but rather how could it be done?
And I love the scene, where the professor is asked, if he would taste a drink scotch! And what happens next? An absolutely superb impossible crime novel.
Carr balances mystery and humor to brilliant effect making this one of the most entertaining of the Dr. A full review can be found on my mystery fiction blog, Mysteries Ahoy!
I 've not made up my mind about Gideon Fell yet as I found his manner a little frustrating just as my characters did A fab wee book from the golden age of mystery Good, clean, ungory, reading!
My only complaint was the ending. I didn't like how it was resolved. Otherwise, it's an absolute treat. It is the first book set during World War II, which adds some interest.
It combines a classic locked room puzzle for which both Carr and his detective Fell are famous with a Scottish Highland setting, ghostly references, broad humor, and an ending that shows Fell once again letting a murderer go free because to do otherwise would allow an even graver injustice, in h 13 in the Gideon Fell series, and it well deserves its fame as one of the most popular and best-known titles in the entire series.
It combines a classic locked room puzzle for which both Carr and his detective Fell are famous with a Scottish Highland setting, ghostly references, broad humor, and an ending that shows Fell once again letting a murderer go free because to do otherwise would allow an even graver injustice, in his opinion.
Although you can tell that Carr likes and admires the Scots, a lot of the humor in this book is at their expense. From the master of the locked-room mystery, not one but two locked-room puzzles!
Mostly we see things through the eyes of two young scholars, Alan Campbell and his distant cousin Kathryn, who met unexpectedly when both are summoned to Scotland after the apparent suicide, or possible murder, of old Angus Campbell.
Carr goes to a great deal of trouble to show us the many differences between English Law and Scottish Law. Apart from From the master of the locked-room mystery, not one but two locked-room puzzles!
Apart from being interesting in their own right, at least one of these differences turns out to be fairly important to the plot. Feb 17, A. This is a fun classic murder mystery.
What I really liked about this one is that it was FUN! It was funny, light, and moved quickly. There weren't long and involved explanations of the scenery or drawn-out descriptions of the personalities In the book, several people have been called to a castle in Scotland for a "family meeting" to discuss the death and after-affect of a This is a fun classic murder mystery.
In the book, several people have been called to a castle in Scotland for a "family meeting" to discuss the death and after-affect of a certain family member.
There is a dispute about whether the man committed suicide or was murdered and the various characters are quickly drawn into the activity, the mystery, and the frivolity.
Recommended for people looking for a quick and fun classic murder mystery. Easily the best of the four Carr's I have read over the past couple of weeks.
It has not one but two locked room mysteries. While neither solution is especially plausible, it's fun to watch Fell work them out. This is a much more linear plot than the other Carrs I have read.
It moves straight ahead without side plots. It is the only one of the four which combines humor with an effective mystery.
I did sort of guess who did it, though not quite as things actually work out. A plus for me was the exc Easily the best of the four Carr's I have read over the past couple of weeks.
A plus for me was the excellent rendering of Scottish accents, which when pronounced as written sounded utterly true to life.
A quick read shorter than average for Carr, whose books never seem to be terribly long and fun, though not quite at the level of a mystery classic.